Effective Use of Montage in the Film, The Night of the Hunter :: Movie Film Essays

Effective Use of Montage in the Film, The Night of the Hunter In the film The Night of the Hunter, director Charles Laughton uses montage on multiple occasions to create a variety of visual and emotional effects. Montage is used to slow time and create tension, as a foreshadowing device, and as a symbolic depiction of the film’s conflict. Towards the end of the film, when John and Pearl Harper escape from Preacher Harry Powell via the river, montage is skillfully utilized to slow time, thus enhancing the drama of the moment. As the children scramble down the riverbank to the rowboat, the frame alternates between a high angle shot of the children by the river and a low angle shot of the Preacher on the hill. With each successive shot, the Preacher moves steadily closer to the boat, slowly building the scene to its dramatic climax and the children’s narrow escape. By alternating the shots in this montage, the entire scene takes longer to depict than if the camera merely showed a stationary long shot. This additional time amplifies the tension of the moment, making John and Pearl’s escape all the more dramatic. As Eisenstein discusses, montage can also be employed as the combination of two unrelated images to create a third, unrelated concept, similar to Japanese writing. Laughton uses this technique in the candy shop scene, when Willa Harper is told she needs a man in her life to take care of her and the children. The shot then changes to a large, black oncoming train, with loud, bass-heavy music in the background. High contrast lighting and the dramatic music intensify the fear the train produces. These two shots alternate several times, the train coming closer each time. The combination of the unrelated images ominously foreshadows the terror and fear to come when Willa meets Preacher Harry, and he begins to lie and scheme his way into her life and secrets. Harry’s domination and control eventually lead to Willa’s murder, and John and Pearl’s desperate escape. This montage in the first half of the film establishes the fearful tone of the remainder of the film. Laughton also uses montage to illustrate the harshness of nature and society during the children’s trip down the river, in the form of close-up shots of various animals, both predator and prey.

Philippine Literature Essay

1. AWIT is a form of Filipino poetry. Its literal translation into English is â€Å"song,† although in the context of poetry, it is closer to the narrative. Ang awit ay isang uri ng tulang pasalaysay na binubuo ng tig-aapat na taludtod ang bawat saknong, na ang bawat taludtod ay may lalabindalawahing pantig, at ang tradisyonal na dulong tugma ay isahan (aaaa, bbbb, cccc, at iba pa). Karaniwang paksa ng awit ang pakikipagsapalaran ng bayani, ngunit ang iba’y tumatalakay din sa mga alamat at relihiyosong tula. Sa pag-aaral ng batikang mananaliksik Damiana L. Eugenio, ang â€Å"awit† ay walang ikinaiba sa â€Å"korido†, maliban lamang sa bilang ng pantig sa bawat taludtod. Ang awit, gaya ng korido, ay nagtataglay ng tatlong elemento. Una, ang pag-iibigan. Ikalawa, ang relihiyoso at pangangaral. At ikatlo, ang kahima-himala at kagila-gilalas 2. PROPAGANDA is a form of communication aimed towards influencing the attitude of a population toward some cause or position. Propaganda is information that is not impartial and used primarily to influence an audience and further an agenda, often by presenting facts selectively (thus possibly lying by omission) to encourage a particular synthesis, or using loaded messages to produce an emotional rather than rational response to the information presented. Propaganda can be used as a form of ideological or commercial warfare. 3. KKK – Katipunan Samahà ¡ng Kataà ¡staasan, Kagalanggalang Katipunan ngÃŒÆ' mgÃŒÆ'à ¡ Anak ngÃŒÆ' Bayan Formation July 7, 1892 Extinction May 10, 1897 President Deodato Arellano (1892-1893) Roman Basa (1893-1895) Andrà ©s Bonifacio (1895-1897) Headquarters Tondo, Manila; Kawit, Cavite Newspaper Kalayaan *The Katipunan (abbreviated to KKK) was a Philippine revolutionary society founded by anti-Spanish Filipinos in Manila in 1892, whose primary aim was to gain independence from Spain through revolution. The society was initiated by Filipino patriots Andrà ©s Bonifacio, Teodoro Plata, Ladislao Diwa, and others on the night of July 7, when Filipino writer Josà © Rizal was to be banished to Dapitan. Initially, the Katipunan was a secret organization until its discovery in 1896 that led to the outbreak of the Philippine Revolution. The Tagalog word â€Å"katipunan,† literally means ‘association,’ comes from the root word â€Å"tipon,† a Tagalog word meaning â€Å"gather together† or â€Å"society.†[4] Its official revolutionary name was Samahang Kataastaasan, Kagalanggalang Katipunan ngÃŒÆ' mgÃŒÆ'a Anak ngÃŒÆ' Bayan[1][5] (English: Supreme and Most Honorable Society of the Children of the Nation, Spanish: Suprema y Venerable Asociacià ³n de los Hijos del Pueblo). The Katipunan is also known by its acronym, KKK. The organization has no affiliation with the racist group known as the Ku Klux Klan who are also associated with the acronym â€Å"KKK†. Being a secret organization, its members were subjected to the utmost secrecy and were expected to abide with the rules established by the society.[4] Aspirant applicants were given standard initiation rites to become members of the society. At first, membership in the Katipunan was only open to male Filipinos; later, women were accepted in the society. The Katipunan had its own publication, Kalayaan (Liberty) that had its first and last print on March 1896. Revolutionary ideals and works flourished within the society, and Philippine literature were expanded by some of its prominent members. In planning the revolution, Bonifacio contacted Rizal for his full-fledged support for the Katipunan in exchange for a promise of rescuing Rizal from his detainment. On May 1896, a delegation was sent to the Emperor of Japan to solicit funds and military arms. The Katipunan’s existence was revealed to the Spanish authorities after a member named Teodoro Patià ±o confessed the Katipunan’s illegal activities to his sister, and finally to the mother portress of Mandaluyong Orphanage. Seven days after the Spanish authorities learned of the existence of the secret society, on August 26, 1896, Bonifacio and his men tore their cà ©dulas during the infamous Cry of Pugadlawin that started the Philippine Revolution 4. KORIDO isang uri ng panitikang pilipino, isang uri ng tulang nakuha natin sa impluwensiya ng mga Espanyol. Ito ay may sukat na walong pantig bawat linya at may apat na linya sa isang saknong. Ang korido ay binibigkas sa pamamagitan ng pakantang pagpapahayag ng mga tula. 5. PLAY is a form of literature written by a playwright, usually consisting of scripted dialogue between characters, intended for theatrical performance rather than just reading. Plays are performed at a variety of levels, from Broadway, Off-Broadway, regional theater, to Community theatre, as well a University or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference whether their plays were performed or read. The term â€Å"play† can refer to both the written works of playwrights and to their complete theatrical performance. 6. SHORT STORY is a brief work of literature, usually written in narrative prose.[1] Emerging from earlier oral storytelling traditions in the 17th century, the short story has grown to encompass a body of work so diverse as to defy easy characterization. At its most prototypical the short story features a small cast of named characters, and focuses on a self-contained incident with the intent of evoking a â€Å"single effect† or mood.[2] In doing so, short stories make use of plot, resonance, and other dynamic components to a far greater degree than is typical of an anecdote, yet to a far lesser degree than a novel. While the short story is largely distinct from the novel, authors of both generally draw from a common pool of literary techniques. 7. ESSAY is generally scholarly pieces of writing giving the author’s own argument, but the definition is vague, overlapping with those of an article, a pamphlet and a short story. Essays can consist of a number of elements, including: literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. 8. DECALOGUE ( EMILIO JACINTO ) Bonifacio realized that in order to strengthen the katipunan, the  members had to be disciplined and indoctrinated with the ideals of the revolutionary society. In his â€Å"Katungkulang Gagawin ng mga Z. Ll. B.† (â€Å"The Duties of the Sons of the People†), Bonifacio listed down the rules of the Katipunan which constitute a decalogue: I. Love God with all your heart. II. Bear always in mind that the love of God is also the love of country, and thiis, too, is love of one’s fellow-men. III. Engrave in your heart that the true measure of honor and happiness is to die for the freedom of your country. IV. All your good wishes will be crowned with success if you have serenity, constancy, reason, and faith in your acts and endeavor. V. Guard the mandates and aims of the K.K.K. as you guard your honor. VI. It is the duty of all to deliver, at the risk of their own lives and wealth, anyone who runs great risks in the performance of his duty. VII. Our responsibility to ourselves and the performance of our duties will be the example set for our fellow-men to follow. VIII. Insofar as it is within your power, share your means with the poor and the unfortunate. IX. Diligence in the work that gives sustenance to you is the true basis of love — love for your own self, for your wife and children, and for your brothers and countrymen. X. Punish any s coundrel and traitor and praise all good work. Believe, likewise, that the aims of the K.K.K. are God-given for the will of the people is also the will of God. 9. SEMI AUTOBIOGRAPHICAL NOVEL An autobiographical novel is a form of novel using autofiction techniques, or the merging of autobiographical and fictive elements. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the â€Å"autobiographical pact†.[1] Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author’s life. While the events of the author’s life are recounted, there is no pretense of exact truth. Events may be exaggerated or altered for artistic or thematic purposes. Novels that portray settings and/or situations with which the author is familiar are not  necessarily autobiographical. Neither are novels that include aspects drawn from the author’s life as minor plot details. To be considered an autobiographical novel by most standards, there must be a protagonist modeled after the author and a central plotline that mirrors events in his or her life. Novels that do not fully meet these requirements or are further distanced from true events are sometimes called semi-autobiographical novels. Many novels about intense, private experiences such as war, family conflict or sex, are written as autobiographical novels 10. DIMASALANG Jose Rizal used the penname Laong Laan in the 1890s when he wrote poems and articles for La Solidaridad, then the Propaganda Movement’s strongest voice. Literally translated it means â€Å"reserved for a long time† and figuratively it means â€Å"laging handa† or â€Å"ever ready.† Dimasalang was the pseudonym of Jose Rizal that he adopted when he entered Freemasonry in 1883. He widely used this pseudonym in his articles in 1990’s. Literally [ hin] di masalang means â€Å"untouchable† in Taal Tagalog.

Effects of premarital sex and early sexual relationships on teeenagers Essay

The present day unipolar system has left USA as the only super power capable of conducting or organizing political military action anywhere in the world.. However, hegemony is present in a system where there is a unipolar structure of influence to match the unipolar structure capabilities for example in the 1990s the United Nations was gradually displaced from its primary responsibility for maintaining peace and security in favour of a revitalized NATO which provided the multilateral cover for US military action in the Balkans. In the war aganst Iraq, the process was taken a step further as NATO was itself sidelined in favour of a coalition of the willing(Bull,2000;23). Politically, because all states recognize that it is in their overriding self-interest to maximize their power, that’s what Waltz says they do. To do anything else is crazy because a state without enough power is a vulnerable state. And, anyway, it is too scary for states not to try to maximize their power. For instance as China continues to expand its military spending $91.  5 billion in 2011,this only represents about one seventh of the total US defense budget(estimated to reach $663. 8 bilion by the end of the year)according to China: USA FOCUS a non profit organization based in Hong-Kong. Hence this is what Waltz calls the â€Å"security dilemma( waltz,1979:123). † He argues that when one state sees another state trying to increase its power to increase its security, it gets scared, feelsthreatened, and recognizes that it too must increase its power. But, of course, thatscares the other states, and basically there is this mad spiral in which all states are T rying to have more power than all other states. According to Waltz, this competition for power among states is not always as dangerous as it at first sounds. In the international system, every state is sovereign and this implies that sovereign states are not answerable to any higher power. When one sovereign state intervenes in another sovereign state monitoring the domestic affairs of that certain country, it shows the aspect of political hegemony. One good example is that of America which has been intervening in various sovereign states under the disguise of protecting human rights. In doing so it seems like America is becoming a police man of the world. A realist scholar Hobbes (1952) postulates that the powerful will always do what they want and the weak will always comply. In other respects politics and economy are said to have existed in two separate spheres and are not logically connected to one another. In the option of the Marxist and leftists writers on one hand politics and economics are intimately linked. The insatiable desire of capitalists for continuous accumulation has been the force behind the political endeavors in every capital economy state. According to the theory of hegemonic stability, as I am using it in this article, the creation and maintenance of an open and liberal world economy such as the one that has characterized most of the world economy since the end of World War II requires a powerful leader. This leader uses its power and influence to promote trade liberalisation and a stable international monetary system primarily in order to advance its own political and economic interests. The leader, however, can seldom coerce reluctant states to obey the rules of a liberal international economic order and must seek their co-operation. These other states co-operate with the hegemony because it is in their own economic and security interests to do so. For example, although the American hegemony played a crucial role in establishing and managing the world economy following World War 2, it did so with the strong co-operation of its Cold War. Coercion involves the study of threats and demands that encourage the adversary to either reverse its action or stop what it has been doing. Unlike Deterrence, which stresses the prevention of an attack or the use of threats by state A to dissuade its enemy, state B, from attacking, coercion consists of the use of threats by state A, or the coercer (e. g. state hegemony, NATO, UN), to reverse a n act of aggression by state B. To coerce a state, then, means to employ a range of diplomatic and military options. These may include economic/trade sanctions, blockades, embargoes, and precision air-strikes. The threat of exercising these options serves as either an inducement to the transgressor state to stop what it is doing, or as punishment for not taking the steps to comply with the coercer’s demands. Such options, therefore, reflect the costs and benefits of calculated threats, and are often referred to as ex ante demands. The ex ante mix of punishment and inducements, in this case, can either take the form of a carrot/stick or use for that approach.

Founding of the National Bank essays

Founding of the National Bank essays Alexander Hamilton formally served as military aide to Washington during the Revolution. Washington later appointed Hamilton as his secretary of treasury. Congress called on Hamilton to prepare a report on the nations finances. Hamilton had many enemies, but he was a great thinker. He believed that a strong government was essential to the country. He based his belief on that from Great Britain, whose success came from its system of public finance and its supremacy in commerce and manufacturing. He had two goals to achieve. First, he wanted to use federal power to encourage manufacturing and commerce. This he believed would make the United States economically strong and be independent from Europe. Second, he wanted to link the interests of the wealthy with those of the new government. Hamilton goals could not be achieved until the federal government solved its financial problems of revenue and credit. He believed without revenue it could not be effective and without credit the merchants had no faith on any of the other nations to pay back these debts. They would lack the ability to borrow. This posed a problem so Hamilton proposed that all $52 million of the federal debt be paid in full (or funded). He also wanted the federal government to assume the responsibility for the remaining $25 million that the individual states owed. He felt like putting these two policies into effect would make the government stronger and boost its power by increasing its need for revenue and making the wealthy depend on the national government instead of the states. Hamilton also proposed a series of excise taxes. There was a 25 percent levy on whiskey, to aide in government expenses. Congress finally agreed to Hamilton's proposals, but only if there could be a permanent seat of government located in the south. Jefferson and Madison who were from Virginia wanted it to be located on the Potomac River between Virginia an ...

The Brady bill and its passage

The Brady bill and its passage IntroductionThe legislative process in the United States Congress shows us an interesting drama inwhich a bill becomes a law through compromises made by diverse and sometimes conflictinginterests in this country. There have been many controversial bills passed by Congress, butamong all, I have taken a particular interest in the passage of the Brady bill. When the Bradydebate was in full swing in Congress about three years ago, I was still back in my country,Japan, where the possession of guns is strictly restricted by laws. While watching televisionnews reports on the Brady debate, I wondered what was making it so hard for this gun controlbill to pass in this gun violence ridden country. In this paper, I will trace the bill's seven yearhistory in Congress, which I hope will reveal how partisan politics played a crucial role in theBrady bill's passage in this policy making branch.English: President George W. Bush hosts seven Whit...The Brady bill took its name from Jim Brady, the form er press secretary of PresidentReagan, who was shot in the head and partially paralyzed in the assassination attempt on thepresident in 1981. This bill was about a waiting period on handgun purchases allowing police tocheck the backgrounds of the prospective buyers to make sure that guns are not sold toconvicted felons or to those who are mentally unstable. Even the proponents of the bill agreedthat the effect of the bill on curbing the gun violence might be minimal considering the fact that themajority of guns used for criminal purposes were purchased through illegal dealers. However,the Brady Bill represented the first major gun control legislation passed by Congress for morethan 20 years, and it meant a significant victory for gun control advocates in their way towardeven stricter...

World War I Flying Ace Rene Fonck

World War I Flying Ace Rene Fonck Colonel Rene Fonck was the top-scoring Allied fighter ace of World War I. Scoring his first victory in August 1916, he went on to down 75 German aircraft during the course of the conflict. After World War I, Fonck later returned to the military and served until 1939. Dates:  March 27, 1894 –  June 18, 1953   Early Life Born on March 27, 1894, Renà © Fonck was raised in the village of Saulcy-sur-Meurthe in the mountainous Vosges region of France. Educated locally, he had an interest in aviation as a youngster. With the outbreak of World War I in 1914, Fonck received conscription papers on August 22. Despite his earlier fascination with aircraft, he elected not to take an assignment in the air service and, instead, joined the combat engineers. Operating along the Western Front, Fonck constructed fortifications and repaired infrastructure. Though a skilled engineer, he reconsidered in early 1915 and volunteered for flight training. Learning to Fly Ordered to Saint-Cyr, Fonck commenced basic flight instruction before moving to more advanced training at Le Crotoy. Progressing through the program, he earned his wings in May 1915 and was assigned to Escadrille C 47 at Corcieux. Serving as an observation pilot, Fonck initially flew the ungainly Caudron G III. In this role, he performed well and was mentioned in dispatches twice. Flying in July 1916, Fonck downed his first German aircraft. Despite this triumph, he did not receive credit as the kill went unconfirmed. The following month, on August 6, Fonck achieved his first credited kill when he used a series of maneuvers to force a German Rumpler C.III to land behind French lines. Becoming a Fighter Pilot For Foncks actions on August 6, he received the Medaille Militaire the following year. Continuing observation duties, Fonck scored another kill on March 17, 1917. A highly veteran pilot, Fonck was asked to join the elite Escadrille les Cigognes (The Storks) on April 15. Accepting, he commenced fighter training and learned to fly the SPAD S.VII. Flying with les Cigognes Escadrille S.103, Fonck soon proved to be a lethal pilot and achieved ace status in May. As the summer progressed, his score continued to increase despite taking leave in July. Having learned from his earlier experiences, Fonck was always concerned about proving his kill claims. On September 14, he went to the extreme of retrieving the barograph of an observation aircraft he downed to prove his version of events. A ruthless hunter in the air, Fonck preferred to avoid dogfighting and stalked his prey for prolonged periods before striking quickly. A gifted marksman, he often downed German aircraft with extremely short bursts of machine gun fire. Understanding the value of enemy observation aircraft and their role as artillery spotters, Fonck focused his attention on hunting and eliminating them from the skies. Allied Ace of Aces During this period, Fonck, like Frances leading ace, Captain Georges Guynemer, began flying the limited production SPAD S.XII. Largely similar to the SPAD S.VII, this aircraft featured a hand-loaded 37mm Puteaux cannon firing through the propeller boss. Though an unwieldy weapon, Fonck claimed 11 kills with the cannon. He continued with this aircraft until transitioning to the more powerful SPAD S.XIII. Following Guynemers death on September 11, 1917, the Germans claimed that the French ace had been shot down by Lieutenant Kurt Wisseman. On the 30th, Fonck downed a German aircraft which was found to have been flown by a Kurt Wisseman. Learning this, he boasted that he had become the tool of retribution. Subsequent research has shown the aircraft downed by Fonck was most likely flown by a different Wisseman. Despite poor weather in October, Fonck claimed 10 kills (4 confirmed) in only 13 hours of flying time. Taking leave in December to be married, his total stood at 19 and he received the Là ©gion dhonneur. Resuming flying on January 19, Fonck scored two confirmed kills. Adding another 15 to his tally through April, he then embarked on a remarkable May. Goaded by a bet with squadron mates Frank Baylies and Edwin C. Parsons, Fonck downed six German aircraft in a three-hour span on May 9. The next several weeks saw the Frenchmen rapidly build his total and, by July 18, he had tied Guynemers record of 53. Passing his fallen comrade the next day, Fonck reached 60 by the end of August. Continuing to have success in September, he repeated his feat of downing six in one day, including two Fokker D.VII fighters, on the 26th. The final weeks of the conflict saw Fonck overtake leading Allied ace Major William Bishop. Scoring his final victory on November 1, his total finished at 75 confirmed kills (he submitted claims for 142) making him the Allied Ace of Aces. Despite his stunning success in the air, Fonck was never embraced by the public in the same way as Guynemer. Possessing a withdrawn personality, he seldom socialized with other pilots and instead preferred to focus on improving his aircraft and planning tactics. When Fonck did socialize, he proved to be an arrogant egotist. His friend Lieutenant Marcel Haegelen stated that though a slashing rapier in the sky, on the ground Fonck was a tiresome braggart, and even a bore. Postwar Leaving the service after the war, Fonck took time to write his memoirs. Published in 1920, they were prefaced by Marshal Ferdinand Foch. He also was elected to the Chamber of Deputies in 1919. He remained in this position until 1924 as a representative for Vosges. Continuing to fly, he performed as a racing and demonstration pilot. During the 1920s, Fonck worked with Igor Sikorsky in an attempt to win the Orteig Prize for the first nonstop flight between New York and Paris. On September 21, 1926, he attempted the flight in a modified Sikorsky S-35 but crashed on takeoff after one of the landing gears collapsed. The prize was won the following year by Charles Lindbergh. As the interwar years passed, Foncks popularity fell as his abrasive personality soured his relationship with the media. Returning to the military in 1936, Fonck received the rank of lieutenant colonel and later served as Inspector of Pursuit Aviation. Retiring in 1939, he was later drawn into the Vichy government by Marshal Philippe Petain during World War II. This was largely due to Petains desire to utilize Foncks aviation connections to Luftwaffe leaders Hermann Gà ¶ring and Ernst Udet. The aces reputation was damaged in August 1940, when a spurious report was issued stating that he had recruited 200 French pilots for the Luftwaffe. Eventually escaping Vichy service, Fonck returned to Paris where he was arrested by the Gestapo and held at the Drancy internment camp. With the end of World War II, an inquiry cleared Fonck of any charges pertaining to collaboration with the Nazis and he was later awarded the Certificate of Resistance. Remaining in Paris, Fonck died suddenly on June 18, 1953. His remains were buried in his native village of Saulcy-sur-Meurthe. Selected Sources First World War: Rene FonckAce Pilots: Rene FonckThe Aerodrome: Rene Fonck

The Printmaker and Painter Essay Example | Topics and Well Written Essays - 500 words

The Printmaker and Painter - Essay Example Studying printmaking enabled him to communicate his artistic notions. He is particularly fond of printmaking as it can be extremely spontaneous and complex; in addition, the combinations and methodologies offered in printmaking lead to endless opportunities. His work stands out as it appears as contemporary as graffiti, although the roots of printmaking can be traced back to the Middle Ages. For him, content is the determinant of the materials and printmaking methodologies that he employs, in the endeavor to push the simple art of printmaking to its limits. He has a deep-seated desire to explore various components of printmaking and draws inspiration from the work of Sean Hillen, Andy Warhol, Gerhard Richter, Jean-Michel Basquiat, and Rene Magritte. Printmaking is an unpredictable art technique as printmakers themselves are not sure of the image until the paper is revealed. More specifically, he utilizes etching to communicate his thoughts and notions. His prints are intricate and fu ll of technical details, perhaps as a response to the evolving and chaotic world around us. These prints are a reflection of his sentimental reaction to the passing of time and experiences. The artist uses biomorphic and geometric images to explore the limitations imposed by time and space and their impact on humans. These portray notions, emotions and various points in time. He follows no sequential order but instead manipulates materials and etching techniques to reproduce feelings. He is of the opinion that humans should not only view themselves as people but also need to consider themselves at various points of time and events. ‘A story of/for M’ has been inspired from the childhood tales narrated by his Russian grandmother, Marina.  Ã‚